Since May I have been slowly going through the writings of Charles Dickens. Interestingly, I had only read a couple of his books before, being more familiar with adaptations of his works in film and television. It's always been one of my goals to read through his novels, but for whatever reason I've never gotten around to it.
Last spring, I decided this would change. I had just finished the entire compendium of Sherlock Holmes stories by Sir Arthur Conan Doyle, and was looking for some more works to go through. I thought about the Bronte sisters and Jane Austen, before finally settling on Charlie D. And because I never do anything by halves, I went and bought all of his works, because of course I did.
Now, Dickens began his writing career turning out prose for periodicals, which means he got paid by the word. This, in turn, ensures that the man's works are preternaturally verbose, even for myself -- and I've been devouring classic tomes for years. Lord knows what the Twitter generation would think about his writing! Dickens is the antithesis of Hemingway; he doesn't just say somebody entered a room and sat down at a table, he'll spend three pages outlining his clothes, his gait, the weather outside, the atmosphere, all the other people in the room, going on to describe the furniture and other assorted things such as cutlery, lighting, the history of the place, etc. I've gotten used to it by now, having gone through six of his works so far (chronologically of course, because that's just how I am), but it took a little getting used to, that's for sure.
I'm pacing myself with the Dickens, following each hefty volume with a lighter read (or at least, perhaps not one so dense!). Therefore I followed Sketches By Boz (1833-36), a collection of man-about-town views of 1830s London, with The Storied Life of A.J. Fikry (2014) by Gabrielle Zevin, which is a love song to how books can change one's life. Dickens' first "novel" The Pickwick Papers (1836-37) (really a collection of sketches for the first little bit before he decided to tie everything together) was a smashing success for him, and is fairly humourous, if a little frothy at times; I followed that up with China: The Novel (2021) by Edward Rutherfurd, one of my long-time favourite authors, whose stories often follow family lines through centuries, if not millenia. It was comparatively light reading, even at over 750 pages itself!
One of the pieces Dickens is most known for, of course, is Oliver Twist (1837-39). It was shorter than I expected, and reading it after watching (and performing in) the musical Oliver! so many times was like a greatest hits compilation, interspersed with some secondary scenes and characters that I either wasn't quite familiar with or were not sketched out to such a degree in Lionel Bart's adaptation (the scenes with Oliver's stay at Mr. Brownlow's house especially). After I took in Michelle Obama's autobiography Becoming (2018) (a great read), I dove straight into Nicholas Nickleby (1838-39), which I have to say is, at the moment, my favourite Dickens novel. The characters are so clearly delineated - Uncle Ralph gets me so angry! - and every few chapters I was moved to tears by Nicholas' relationship with Smike. And while it deals with dark themes, it's quite breezy in its presentation, and, dare I say, quite humourous.
I took a break for a couple of weeks, and decided to focus on Maya Angelou's multi-volume autobiography (1969-2013) - what a fantastic, difficult, ultimately triumphant life that lady filled her years with! I'm not sure if it was because I had gotten used to her writing style, or whether the book itself just didn't move me as I thought it would, but I found The Old Curiosity Shop (1840-41) quite a slog to get through. It was entertaining as a "road trip" sort of book, but I found Nell's grandfather to be just insufferable - not to mention Quilp, who while given perhaps a bit more heft than most villains of the time, ultimately was portrayed almost too cartoonishly. It's as if Dickens decided to forgo any shades of grey that were in Nickleby and portray things in distinct black and white.
I needed a bit of contrast, so I took up Carl Wilson's critique of music criticism and popular taste, Let's Talk About Love (2014), which is ostensibly a review of Celine Dion's 1997 album but is so, so much more. Barnaby Rudge (1841), Dickens' first historical novel, is set during the Gordon Riots of 1870, and follows a Forrest Gump-like character who finds himself involved in all the political machinations. It's one of his lesser-known novels, but I quite enjoyed it. The first third took a while to find its footing, but I became quite engrossed after that. This was followed by City of Tears (2020), the second book in the Burning Chambers trilogy by one of my favourite authors, Kate Mosse (her Languedoc trilogy - Labyrinth (2005), Sepulchre (2007), and Citadel (2012) - are absolute must-reads).
And now, for the Christmas season, I'm taking a bit of a break from the chronological Dickens! Still staying with him, but in the spirit of the season, I am reading a collection of his Christmas themed short stories. Starting with A Christmas Carol in 1843, he wrote one a year for the next five years (skipping 1847). Finished A Christmas Carol and have just started The Chimes (1844), and I have to admit, Carol is quite funnier than I expected it to be. His descriptions of the characters are quite descriptive, and I found myself casting roles despite myself - Bill Nighy as Scrooge, Jonathan Hyde as Jacob Marley, Tilda Swinton as the Ghost of Christmas Past, Nick Frost as the Ghost of Christmas Present, and Ben Whishaw as Bob Cratchit. Perhaps Dan Stevens as nephew Fred? At any rate, it's lighter Dickens (due to the short story form he decided to publish it in), but a nice Christmas treat.
I may check back in after a few months to outline my views as I carry on through the rest of Dickens' novels, but I'm getting a little peckish, and shall end my blog post here (otherwise the post would itself turn into something quasi-Dickensian in length). God bless you, everyone ... and I'll see you in the next post!